Cult Music of Trinidad / Various
George Eaton Simpson, of Oberlin College, traveled to Trinidad in 1960 to study and record the music of two cults whose members are largely of African descent. The Shango Cult derives it's beliefs and practices from those of the Yoruba people of Nigeria and from Catholicism. The music is heavily influenced by African sounds and includes drums and rattles; frequently it features a call-and-response pattern. The Shouters, who refer to themselves as "Spiritual Baptists," evince fewer African elemen
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